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Xiao Sihua. Born in Nan Lan Ling (northwest of Chang Zhou city in Jiang Su province today), he was good at Li Shu. Studied from Yang Xin, some people think he surpassed Yang Xin. His Xing Shu is like birds playing on sand.
After Tang dynasty, the calligraphy as an art declined. The worst period is Ming dynasty. From Song dynasty to Qing dynasty, the greatest calligraphy works in paper were kept in house of the emperor family. People rarely have the chance to see them. The only available calligraphy works available to them are the tablets. In Qing dynasty, a lot of tablets were discovered. That's one of the reason why calligraphy is better in Qin dynasty.
Tang dynasty is the dynasty that calligraphy is taken most serious. As a result, a lot of great calligraphers appeared, including Yan Zhenqing.
The first blooming period of calligraphy as an art should be at Han dynasty. An calligrapher, Liang Hu went to restaurant but didn't bring money. He wrote on the wall. People there liked to pay for him by watching his calligraphy. A lot of great calligraphers appeared in Han dynasty. Unfortunately, they usually didn't sign them name after their calligraphy work. There're some great calligraphy works of Han dynasty of unknown calligraphers. Also most scripts formed at Han dynasty such as Li Shu, Cao Shu, Xing Shu, Kai Shu.
Cui Yuan (77-142). Zi: Zi Yu. Born in Zhuo Jun An Ping (belong to He Nan province today), studied hard earlier. He was good at Zhang Cao. He was Ji Bei Xiang (a government position). He wrote a book "Cao Shu Shi". His Cao Shu is not as ingenious in structures as his teacher Du Du, but is more charming than Du Du's. He is called Cui Du together with Du Du.
Tao Hong Jing (456-536). Zi: Tong Ming.
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Ruan Yuan. Zi: Wen. Born in Chen Liu (northwest of Kai Feng in He Nan province), his calligraphy is like flying spring.