United art and education

If there's no united art and education in the world, there will be no human.

united art and education give people beauty. Beauty can adjust people's mood. A good mood will improve people's work. The word becomes more beautiful because of united art and education.

Art works inspire people. Everybody in the world need inspiration. That's how people affect each other. That is how dead people affect living people. That's the wealth of human inherited from ancestors.

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This gradually resulted in the Homo sapien brain developing with these unique capacities that would foster creativity and the resultant sexual allure was on par, in terms of developmental importance, with those processes that are emblematic of natural selection responses to environmental factors such as geography, climate, predators, etc.

I'm afraid the off the cuff choice of using the adjective ortalto qualify combat may have created an unfortunate distraction that has diverted the essential intent of the comment.

In any case, this has lead to other interesting tangential topics and sources. I see that the book you suggest, On Aggression, is by Konrad Lorenz. I looked it up on Amazon and it seems like a very worthwhile and thought provoking read.

Though Boas?stated goal was to determine the dynamic conditions under which art styles grow up? and was not necessarily an attempt to nail down the evolutionary, psychological and behavioral impetus for artistic endeavor itself, none the less the cross discipline implications seem relevant.

The Rockefeller episode is different of course. Most significantly, this is something of an unsolved mystery. Michael Rockefeller disappeared, and there has never been definitive proof of what happened. A lot of theories have been put forward, some of which seem more plausible than others.

Of the victim's life that cause us to react or not to their death. Whether it was the American, Michael Rockefeller, or the Solomon Islander named Tombat, the British Missionary Chalmer, or Limbang the Dayak ?reaction on an emotional level has more to do with what we know about that person than their nationality, race or religion per se.

Numerous art galleries was set up, especially on the internet, where the cost is low. Those galleries serves as a great source of pictures and information for art works. With those galleries, the art works will have a greater impact on the human world.

One of the editorial reviews has this summary: orenz presents his findings on the mechanism of aggression and how animals control destructive drives in the interest of the species.? From what I can glean from other review comments there, this control of the destructive drive in animals is contrasted with the apparent lack of same among humans.

While we are on the subject of good books, and the matter of behaviour and culture and how these things evolved, I was reminded of another very thought provoking and enjoyable book by Geoffery Miller, titled The Mating Mind?

It's actually difficult to tell what is art. No one can deny that some sports are also art. Or people will argue some plays are art works of sports.

The lawful or unlawful context is socially determined and the implication is that while murder is always killing, killing is not always murder. This is in no way a revelation, but it seems few ever pause to consider it all.

Regarding other recent comments in this thread, my own interpretation of some of Udo remarks was that he may have meant to draw attention to this sort of cultural/moral disparity across cultures.

When considering headhunting in isolation and without any context, and given our own backgrounds, most of us would be hard pressed to ever genuinely and completely dissociate the practice of headhunting from urder?in some sense.

As I mentioned I tend towards a nature and nurture explanation for a behavior, with a preponderance of weight on social conditioning for the category of behavior in question.

That particular event is extremely well documented, and despite happening over 100 years ago, seems to be an occurrence that left quite an impression - and one that remains on the minds of missionaries and their ilk to some extent if the frequency of references to the incident are any indication.

However, what is probably the most well known incident of this sort in the greater Papuan region, was not directly related to missionary activities. I am referring of course to the disappearance in November, 1961 of Michael Rockefeller while on a collecting expedition for the Museum of Primitive Art (when the museum was closed in 1976 the bulk of the collection went to the Metropolitan Museum of Art).

Taking heads isn't my cup of tea, but I have less difficulty understanding the cultural bases of doing so than I do of the apparent inhumanity of, say, the Yanamano or (closer to home) of the Nazi movement of the middle third of the 20th century in what might arguably have been the most culturally advanced society in Europe at the end of the 19th century.

One point: mortal combat among animals of the same species is not common. The more usual pattern is stylized or ritualized combat over resources (usually territory), in which one member concedes without being killed or injured.

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