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I just like to add that in the seminal work, rimitive Art? By Boas, which was first published in 1927 I believe, Boas repeatedly cites the pleasure of virtuosity and the satisfaction of aesthetic creativity as one of the principal motivations for creating art.

It is rather just to point out what I see as the striking malleability and cultural specificity of moral boundaries and how in cases like the one just mentioned, a few moments can totally change the acceptability of certain actions. While listening to military briefings in the news, often it is explicitly stated that an objective of some operations will be to "capture or kill" the enemy.

That could be a complete projection on my part, but none the less I understand that it is difficult to address subtle and nuanced issues like this in a language that is not one own. I'll be hard pressed to utter a single simple sentence in German, and addressing issues of more depth like we are discussing here would be out of the question.

Staggering numbers of people are killing and being killed all the time, and television, radio, print and electronic media present these events nearly anywhere we look. More than what culture or time period the victim may be from, I think it is the presence or absence of the umanizing details?

While the Chalmer incident left a powerful impression on the mind of missionaries, the Rockefeller incident is the one that tends to linger most in the thoughts of those of us who are interested in the art and culture of this area. This latter event happened in the Asmat region, which is West through the Torres Straight and up along the coast of West Papua (Indonesian side) in relation to Goaribari Island where the Gope board that started this thread originated.

The lawful or unlawful context is socially determined and the implication is that while murder is always killing, killing is not always murder. This is in no way a revelation, but it seems few ever pause to consider it all.

Regarding other recent comments in this thread, my own interpretation of some of Udo remarks was that he may have meant to draw attention to this sort of cultural/moral disparity across cultures.

In other words creativity and virtuosity whether it be story telling , song , drawing on cliff walls, carving and shaping wood, stone or bone, personal adornment, basket making or any such skill that affords aesthetic pleasure and reveals what could be deemed artistic prowess is in short, a urn on?

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Last modified: Tuesday October 18, 2005.