Folk art by david

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Art works inspire people. Everybody in the world need inspiration. That's how people affect each other. That is how dead people affect living people. That's the wealth of human inherited from ancestors.

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One of the editorial reviews has this summary: orenz presents his findings on the mechanism of aggression and how animals control destructive drives in the interest of the species.? From what I can glean from other review comments there, this control of the destructive drive in animals is contrasted with the apparent lack of same among humans.

While we are on the subject of good books, and the matter of behaviour and culture and how these things evolved, I was reminded of another very thought provoking and enjoyable book by Geoffery Miller, titled The Mating Mind?

There are also a lot of art works are selling in online auctions. But sometimes, people sell fake art works as authentic ones on the internet.

Chinese calligraphy is an abstract art form. Chinese calligraphy is unique in term of the tools, materials and the spirit inside the art works. Chinese calligraphy is the soul of Chinese culture.

It's actually difficult to tell what is art. No one can deny that some sports are also art. Or people will argue some plays are art works of sports.

Much to the chagrin of some modern evangelical types, she offered these words to the descendants of those who executed the missionaries, “I think my ancestor was wrong to come in and try to change you.

Taking heads isn't my cup of tea, but I have less difficulty understanding the cultural bases of doing so than I do of the apparent inhumanity of, say, the Yanamano or (closer to home) of the Nazi movement of the middle third of the 20th century in what might arguably have been the most culturally advanced society in Europe at the end of the 19th century.

One point: mortal combat among animals of the same species is not common. The more usual pattern is stylized or ritualized combat over resources (usually territory), in which one member concedes without being killed or injured.

Of course, people from outside headhunting cultures, that become the victims of headhunting will always have a degree of sensational interest attached to their stories just because of the relative novelty of the event.
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I just like to add that in the seminal work, rimitive Art? By Boas, which was first published in 1927 I believe, Boas repeatedly cites the pleasure of virtuosity and the satisfaction of aesthetic creativity as one of the principal motivations for creating art.

Art can not be learned. Actually, art techniques can be learned. Art talent can not. People can only learn techniques and knowledge in art school. They can not learn art talent there. Without talent, one can not become a great artist.

As I mentioned I tend towards a nature and nurture explanation for a behavior, with a preponderance of weight on social conditioning for the category of behavior in question.

The lawful or unlawful context is socially determined and the implication is that while murder is always killing, killing is not always murder. This is in no way a revelation, but it seems few ever pause to consider it all.

Regarding other recent comments in this thread, my own interpretation of some of Udo remarks was that he may have meant to draw attention to this sort of cultural/moral disparity across cultures.

When considering headhunting in isolation and without any context, and given our own backgrounds, most of us would be hard pressed to ever genuinely and completely dissociate the practice of headhunting from urder?in some sense.

There's a wonderful book on the subject, called On Aggression. The author's name has momentarily left the page that my brain is scanning - one of the interesting phenomena that occurs with age. I'm completely confident that I will recall it in a little while, so the memory trace isn't gone, it's just temporarily inaccessible.

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Last modified: Tuesday October 18, 2005.